SIN AND SALVATION – ‘The Nativity’ by Petrus Christus, National Gallery of Art, Washington, D.C., c. mid – 1450’s (Part 1)
‘The birth of Christ brought God to man, the Cross of Christ brought man to God’
You will agree that the above words can hardly be contested. The fact that the Son of God assumed human nature to accomplish our salvation is a mystery beyond our comprehension. Petrus Christus, an Early Netherlandish painter, through today’s painting, attempts to enliven this great mystery.
Compositionally, the painting is one of Christus’s most complex and significant works. Here the artist profoundly traces the narrative to the dawn of creation, the commencement of time, the fullness of time, and the way to eternity. Characteristic of Chistus, the work is harmonious in colour, as is the geometry and the one-point perspective. Let’s now dive right into the painting.
Adam and Eve and the Arch
The setting is indeed engaging. The Nativity is enclosed in a shed framed by a Gothic archway rendered in grisaille. At the entrance stand two porphyry columns, connected by a marble threshold. A tiny figure hunches at the base of each column as if holding it up. They seem to bear the weight of the first man and the first woman, namely Adam and Eve. The father and mother of the human race appear embarrassed, acknowledging the fall and their iniquity. Their repentance encounters redemption as they now gaze at the New Adam and the New Eve. It is the dawn of a New Creation.
The arch above presents six illustrations of sin and punishment from the Book of Genesis. Rendered in relief, within each archivolt are the following scenes – The Expulsion from the Garden of Eden, Adam and Eve earning their bread, the sacrifice of Cain and Abel, Cain slaying Abel, God questioning Cain, and the expulsion of Cain to the Land of Nod. The roundel within each spandrel of the arch depicts two warriors reiterating the dysfunctional state of the world before the introduction of Grace.
Bearing the weight of Adam
The symbolism of the scene deviates from the conventional depiction of the Nativity. Christus emphasizes not so much on the Christmas Narrative as upon the implicit significance of Salvation through the Incarnation and Sacrifice of Christ. He presents the fulfilment of the Old Testament in the context of the fall and redemption.
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Fr. Warner D'Souza is a Catholic priest of the Archdiocese of Bombay. He has served in the parishes of St Michael's (Mahim), St Paul's (Dadar East), Our Lady of Mount Carmel, (Bandra), a ten year stint as priest-in-charge at St Jude Church (Malad East) and at present is the Parish Priest at St Stephen's Church (Cumballa Hill). He is also the Director of the Archdiocesan Heritage Museum and is the co-ordinator of the Committee for the Promotion and Preservation of the Artistic and Historic Patrimony of the Church.