Tom Yum Soup

TOM YUM SOUP
INGREDIENTS
12 oz. (350 g) shrimp or tiger prawn, head-on and shell-on
2 1/2 cups shrimp stock (preferred). You could also use chicken stock of you don’t like shrimp stock.
1 stalk lemongrass, cut into 3-inch strips, pounded with a cleaver
3 slices galangal
6 kaffir lime leaves, bruised
6 bird’s eyes chilies, pounded
6 fresh oyster mushrooms, cut into pieces
3 teaspoons fish sauce
3 1/2 tablespoons lime juice
Cilantro leaves, for garnishing
INSTRUCTIONS
1. Peel the shell and head off the shrimp, keep the tails on. Save the shell and shrimp head. Devein the shrimp and set it aside.
2. In a pot, bring 3 cups of water to boil. Add the shrimp head and shell to make shrimp stock. Boil until the water turns slightly orange in colour. Press the shrimp heads with a spatula to extract the juice from the heads. Simmer and let the stock reduce to 2 1/2 cups. Drain the shrimp stock and discard the shrimp heads and shells.
3. Turn the heat to high and add the lemongrass, galangal, kaffir lime leaves, bird’s eye chilies, mushroom, and the oil. For best flavour use nam prik pao and nam prik pao oil. Add the shrimp stock. Bring it to boil.
4. Add in the shrimp and fish sauce. Lastly, add the lime juice (if you add lime juice too early, the soup might turn bitter). Boil until the shrimps are cooked, dish out, and garnish with cilantro leaves. Serve immediately.
SACRED ART IN 100 WORDS – Agnus Dei – Francisco De Zurbaran
SACRED ART IN 100 WORDS
Agnus Dei
Francisco De Zurbaran
1635 – 1640
Museo del Prado, Madrid
The artist presents a simple still-life with extraordinary realism and symbolism. Against a dark background, resting on a table is a merino lamb. Still alive, it lies silent with bound feet – a posture indicating sacrifice. For the Hebrew Passover meal, God had commanded the sacrificing of a spotless lamb, whose blood marked the doors of the Israelite households. The blood saved them from the Angel of Death.
The image of the Passover Lamb effectively foreshadows the Passion of Christ – the Lamb of God whose blood and sacrifice set us free. Notice the purity of the lamb’s wool. Its spotlessness reflects Christ’s innocence. Now observe the Lamb’s feet. Though tied for slaughter, they show no indication of resistance or struggle. It depicts Christ’s willingness and incomprehensible love to set us free and take our place with abounding grace.
– Archdiocesan Heritage Museum
SACRED ART IN 100 WORDS – Madonna of Humility – Fra Angelico

SACRED ART IN 100 WORDS
Madonna of Humility
Fra Angelico
1433-1435
Museum of Catalonia, Barcelona
Unlike popular medieval representations, the Blessed Virgin is not seated on a majestic Gothic throne. Rather the Virgin of Humility rests against a cushion directly placed on the ground. She is cloaked in blue (divinity), red (humanity), green (life), and gold (glory). Christ Child gazes at His beautiful Mother. As He takes His first step in faith, notice the protective arm of the Gentle Mother around her Little Boy. A choir of angels bears witness to this tender affection. With much adoration, Baby Jesus offers a white lily to His dear mother. The open flower signifies Mary’s openness and Humility.Humility for Mary was not weakness but a strong-willed determination to let God’s will be done in her life. The greatness of Mary was that she constantly focused on the greatness of God.
– Archdiocesan Heritage Museum
SACRED ART IN 100 WORDS – The Transfiguration – Raphael

SACRED ART IN 100 WORDS
The Transfiguration
Raphael
1516 – 1520
Pinacoteca Vaticana, Vatican City
Raphael’s last painting, ‘The Transfiguration’ is hailed as ‘most beautiful and most divine work.’ The scene takes place at Mount Tabor. The upper foreground of the painting illustrates the Transfiguration of Christ, while in the lower foreground, we see the next episode – the healing of the demoniac boy. Christ floats in glory, surrounded by Moses (law) and Elijah (prophets). The three apostles prostrate themselves in awe of this magnanimous glory. Artistically, the painting is divided into two parts: the celestial and the earthly. Observe the striking contrast through the play of light and shadow. The celestial regions are filled with splendor and calmness as against the feelings of agitation, trouble, confusion, and suffering that abounds the earth. As the finite look up and cry out for help, the Infinite Christ brings hope and restoration.
– Archdiocesan Heritage Museum


Fr. Warner D'Souza is a Catholic priest of the Archdiocese of Bombay. He has served in the parishes of St Michael's (Mahim), St Paul's (Dadar East), Our Lady of Mount Carmel, (Bandra), a ten year stint as priest-in-charge at St Jude Church (Malad East) and at present is the Parish Priest at St Stephen's Church (Cumballa Hill). He is also the Director of the Archdiocesan Heritage Museum and is the co-ordinator of the Committee for the Promotion and Preservation of the Artistic and Historic Patrimony of the Church.