Breaking barriers building bridges- Wednesday, 24th Week in ordinary time – Lk 7:31-35
Breaking barriers building bridges- Wednesday, 24th Week in ordinary time – Lk 7:31-35
Jesus is in Capernaum; He has healed a centurion’s servant and raised the widow’s son at Nain (7:1-17). We will see something similar in 8:40-56, only this time round he will cure a sick woman and raise a dead woman to life. St. Luke bookends this section with similar miracle stories but true to his presentation of Jesus the miracles are for all; men and women.
For Luke, the mission of Jesus is ‘for all’ and ‘to all’. It is meant to present Jesus as one who has come to shatter all boundaries of divisions. Jesus is breaking down barriers as much as He builds bridges. However all do not receive his mission with the same openness. The resistance to His calling is quite clear and it seems that Jesus expresses this frustration quite openly in today’s Gospel reading.
Throughout this section, pulsates the theme of ‘who does’ and ‘who does not’ respond generously to God’s messengers, be it John the Baptist and now Jesus, the Messiah. Interestingly it is the Gentiles, tax collectors, sinners and the hopelessly sick who acknowledge Jesus’ words; they hear His word and follow it. This is the new Israel, the new reconstituted Israel.
In sharp contrast stand the “Pharisees and the lawyers who rejected the baptism of John the Baptist and in doing so rejected God’s purpose for themselves” (vese30). Their behaviour is now tantamount to childish stubbornness for all they desire is to follow their own way.
While they reject the ascetic life style of John the Baptists as too rigorous they reject the table fellow ship that Jesus is so often found at, as being a lifestyle of a “glutton and drunkard”. Neither mournful durges nor happy songs would make this passionate group of Jesus haters sway.
MARY – A MASTERPIECE: ‘The Nativity of the Virgin’ by Pietro Lorenzetti (1335 – 1342)
MARY – A MASTERPIECE: ‘The Nativity of the Virgin’ by Pietro Lorenzetti (1335 – 1342)
The ever beautiful, the ever immaculate Virgin Mary for ages has enchanted every artist. Her tender appearance is the most beloved in Christian art. Her heavenly beauty radiates her eternal grace. On this glorious day as the heavens rejoice and the earth gladdens at her birth, we are drawn to the sleepy yet idyllic little town of Siena. Beyond its Tuscan countryside stands its magnificent Cathedral dedicated to the most Blessed Virgin Mary. It is here that we encounter one of the earliest yet one of the most brilliant depictions of her birth. It is executed by none other than the innovative Pietro Lorenzetti (1280 – 1348).
In order to truly grasp the aura of his masterpiece, we need to traverse back in time. In a world where the physical was largely ignored in favour of the heavenly and spiritual realm, Lorenzetti through his paintings embarks upon a renewed interest in human figure and space. The background of his paintings were no longer flat gold rather Lorenzetti explored earthly environments and suffused them with landscapes and architectural edifices.
The painting in consideration is a ‘triptych’ (Greek for ‘three folds’). The scene is set in a modest yet beautiful medieval household of 14th century Siena. The occasion is far more significant and delightful. Below the starry Gothic skies lies the elderly and voluminous St. Anne. Resplendent in red and gold, she reclines on her bed admiring the little morning star, the fruit of her womb. As St. Anne dwells on the mysteries of the Most High, two young women prepare to bathe the new born. While the first pours water into the hexagonal vessel, the second cradles the infant.
Jesus is the cure for He endures- Feast of the Exaltation of the Cross – Numbers 21: 4-9





Fr. Warner D'Souza is a Catholic priest of the Archdiocese of Bombay. He has served in the parishes of St Michael's (Mahim), St Paul's (Dadar East), Our Lady of Mount Carmel, (Bandra), a ten year stint as priest-in-charge at St Jude Church (Malad East) and at present is the Parish Priest at St Stephen's Church (Cumballa Hill). He is also the Director of the Archdiocesan Heritage Museum and is the co-ordinator of the Committee for the Promotion and Preservation of the Artistic and Historic Patrimony of the Church.