GPS- God’s Positioning System- Monday, 6th Week of Easter- Acts 16: 11-15
GPS- God’s Positioning System- Monday, 6th Week of Easter- Acts 16: 11-15
Earlier in Acts 16 we were introduced to Timothy whom Paul made his companion and would later write a pastoral letter; the letter of St Paul to Timothy. After having been forbidden by the Holy Spirit to evangelize to Bithynia and Asia (not to be confused with our understanding of Asia) they are led by the Spirit to Macedonia, modern day Greece.
The same God who calls Paul, Silas and Timothy to evangelize in Macedonia also forbids them from evangelizing in other regions. God is in charge of His Church and not man. This is why Church leaders both lay and ordained need to be in tune with God’s Spirit and not popular opinion. For God’s ways are not our ways and His thoughts are not ours.
Verse 12b is an interesting line in the narrative. Even though God’s Spirit leads the trio to the Roman colony of Philippi, the leading city of the district in Macedonia, their mission is placed on pause for we are told that they “remained in this city for some days”. It is not only the place of God’s choosing but also His choice of the time to act.
It is interesting that while in verse nine, Paul was prompted in a vision by a ‘man’ and a native of Macedonia to come to this place, the one who first embraces the Good News is a woman, one who is a foreigner in this land. The text now gives us an interesting detail about Lydia for it tells us she was from the city of Thyatira which is in Asia, the very place that Paul was forbidden to go to.
We are told that Lydia “listened” to God’s word but it was “the Lord who opened her heart”. I have often held that it is foolishness on the part of some to believe that humankind can convert anyone; humans are mere instruments of God’s ultimate mission. While we preach the Good News and perhaps passionately, it is foolishness on the part of the preacher to draw attention to themselves, for while our eyes are set on the first pew God intends His message for the last. It is our words but His voice that brings conversion.
TEMPTATION V/S VIRTUE: ‘The Triptych of Temptation of St. Anthony’ by Hieronymus Bosch (1501) PART 1
TEMPTATION V/S VIRTUE: ‘The Triptych of Temptation of St. Anthony’ by Hieronymus Bosch (1501) PART 1
‘Eccentric and secret genius that he was, Bosch not only moved the heart but scandalized it into full awareness.’ – Wendy Beckett
Welcome to the world of Hieronymus Bosch – a cryptic cipher in the world of art! Precious little is known about the man’s life. A Netherlandish artist, he is thought to have been born in the 1450’s. Yet what remains of this eccentric is his crazy imagination that has baffled critiques over the ages. His paintings are flooded with unique visual apparatus that bear profound metaphysical comprehension. Worlds collide in his canvas – be it the sacred and the profane or the natural and the divine. His genius leaves the shallow empty and the rooted yearning for more. Through today’s painting let’s penetrate into his brilliant mind and his wacky vision.
The subject is his favourite. It is the temptation of St. Anthony. Before we attribute the protagonist to the more famous namesake in our Archdiocese, let’s understand that the saint in consideration is St. Anthony Abbott (251 – 356 AD) and not St. Anthony of Padua (1195 – 1231)
Born in 251 CE, St. Anthony Abbott was widely venerated in the Middle Ages. One of the greatest figures of Christian asceticism, St. Anthony is held as the ‘father of all monks’. He lived most of his life as a hermit in the Egyptian deserts. During this period the devil inflicted upon him every affliction. This affliction in an abbreviated manner offered Bosch a wonderful opportunity to activate his imagination and invent a rich reserve of fantastical symbolism.
As it appears, the painting can be divided into 3 parts. The left panel depicts the flight and fall of St. Anthony. In the central panel the saint is subjected to a series of mental temptations while in the right panel the saint is portrayed in contemplation and prayer, oblivious to the persecutors that surround him. The secondary scenes are infused with demonic apparitions of diabolical significance. The narrative of the scenes is derived from ‘The Lives of the Fathers’ and ‘The Golden Legend’. (Medieval text that was translated in Dutch)

Rome sweet home (5)- Twelve things you must see in St Peter’s Basilica
Rome sweet home (5)- Twelve things you must see in St Peter’s Basilica
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The Façade and Portico or Atrium
The façade of St Peter’s built between 1608 and 1612 is one of the most recognizable structures in the world. Yet there is something quite not right with it for it disproportionately wide for its height. The problem began with the old St Peter’s Basilica built by Constantine. He decided to erect the Basilica on top of what was rumoured to be the shrine dedicated to St Peter on Vatican Hill.
To do this he had level one side of the hill which besides having a cemetery was also swampy land. Constantine destroyed most of the cemetery which was in use and transferred approximately 1,500,000,000 cubic feet of hard blue clay from the upper part of hillside, to the lower part, in order to carve a level platform upon which the basilica could be built.
It was Carlo Maderno who changed Bramante’s plan of St Peter’s from a Greek cross (equal arms on all sides) to a Latin cross and it was he who began to work on the façade. However he was bound to the Michelangelo’s designs of the wings and the attic that would run all around the building. As a consequence of this design and the change from a Greek to a Latin cross design the dome of St Peter’s got obscured and what stands out is the façade.






Fr. Warner D'Souza is a Catholic priest of the Archdiocese of Bombay. He has served in the parishes of St Michael's (Mahim), St Paul's (Dadar East), Our Lady of Mount Carmel, (Bandra), a ten year stint as priest-in-charge at St Jude Church (Malad East) and at present is the Parish Priest at St Stephen's Church (Cumballa Hill). He is also the Director of the Archdiocesan Heritage Museum and is the co-ordinator of the Committee for the Promotion and Preservation of the Artistic and Historic Patrimony of the Church.