We have traveled through the winding roads of the history of the Bombay Seminary – a route brimmed by obstacles – personal and political, the dreary Double Jurisdiction, disunity, rebellion, and lack of facilities. In 1900 this jarring journey took a temporary halt. The dreams for a ‘proper’ Seminary seemed to drown amidst the drooping uncertainty.
Twenty-eight years later the dawn of a new hope was well witnessed through the much-awaited abrogation of the Double Jurisdiction. By an agreement signed by the Holy See and Portugal in 1928, parts of the then Diocese of Damaun (Bassein, Salsette, Karanja, Chaul, the Padroado parishes of Bombay) and the Archdiocese of Bombay were integrated into one ecclesiastical whole. It is important to note that at the time of the merger the idea of an independent Seminary received great priority. Finally, eight years later the Parel Seminary was inaugurated by Joaquim Lima, S.J., the first Archbishop of the integrated Archdiocese of Bombay.
But what ensued during those twenty-eight years that ensured the need for a local Seminary?
Intriguingly it was the Bombay Government! In 1917 the Government recommended the establishment of a local Seminary for reasons both political and social. They noticed the sad state of the Catholic community due to a lack of leadership. Moreover, the Government did not prefer priests trained abroad especially in Goa.
THE BOMBAY SEMINARY: THE DOUBLE TROUBLE The long road to Goregaon commenced amidst conflict, confusion and controversies rooted in history and fostered by politics. It is important to note that…
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Fr. Warner D'Souza is a Catholic priest of the Archdiocese of Bombay. He has served in the parishes of St Michael's (Mahim), St Paul's (Dadar East), Our Lady of Mount Carmel, (Bandra), a ten year stint as priest-in-charge at St Jude Church (Malad East) and at present is the Parish Priest at St Stephen's Church (Cumballa Hill). He is also the Director of the Archdiocesan Heritage Museum and is the co-ordinator of the Committee for the Promotion and Preservation of the Artistic and Historic Patrimony of the Church.