September 5, 1949
The green path led us to the Seminary porch supported by two columns. As was common, a square balcon rested atop the entrance. Pointing to the adjacent building, Fr Rector informed us that the original structure is single-storeyed while the new building had two storeys. The architecture was simple yet functional. It was marked by the low-pitched gabled roofs, large doors, long windows with canopies, carved grills, etc. The old outdoor staircases were made in both metal and wood.
As we gazed at the Seminary structure in silence, we were caught off-guard by the prolonged pealing of bells. Startled we jumped and turned to Fr Rector. He smiled and explained ‘Post the morning session, the seminarians gather together at the Chapel to examine their conscience. Next, they pray the Angelus after which they proceed to the refectory.’ Then gazing at his watch he exclaimed, ‘We must hurry’.
The main hall led us directly into a passageway around which various rooms were placed. The roof was held by wooden joists and rafters. Large Gothic windows with wooden shutters fringed the edges. The pilasters that segregated the rhythmic repetition of windows were decorated with picture frames and prayers.
As we walked down the sun-lit passageway, the aroma grew delectably richer. Fr Rector ushered us into a rectangular room with square windows and open grills. Six tables, neatly cloaked with linen dominated the space while foldable wooden chairs leaned against its sides. The walls were bare except for the well-anticipated painting of the Last Supper.