MARY A MASTERPIECE – ‘Santa Trinita Maestà’ by Cimabue, 1280 – 1285, Uffizi Gallery, Florence
We are in thirteenth century Florence – the birthplace of the ‘Renaissance’ meaning ‘rebirth’. It refers to a period in European art history, from the fourteenth to the seventeenth century, characterized by a rediscovery of Classical Medieval art and philosophy. But who were the forebearers of this realistic rendition? Art historians would answer in unison – Cimabue and Giotto.
In today’s painting we shall consider the first pioneer and study his work of art. Cimabue, also known as Cenni di Pepo, was born in Florence in c 1240. Although majorly influenced by the Byzantine style of art, Cimabue chose to be flexible, shading flat figures so as to naturally endow them with life. Cimabue was also the teacher of Giotto, the first great proto-Renaissance painter.
The art of Cimabue is best exemplified in today’s painting. Titled ‘Santa Trinita Maestà’, the picture originally stood on the high altar of the Church of Santa Trinita in Florence. The date and the patron of the composition is disputed. Executed in tempera on wood, the painting is currently displayed in the Uffizi Gallery of Florence.
Let’s now take a closer look at the canvas. We are greeted by a glistening gold panel indicating that this scene transcends space and time. It is heavenly and glorious. Before us lies a larger-than-life enthroned Virgin and Child surrounded by angels. An adaptation of the traditional Byzantine icons, this popular theme was called a Maestà, meaning, ‘Majesty’.
MARY A MASTERPIECE – An Introduction
‘The loveliest Masterpiece of the heart of God is the heart of a Mother’ – St Therese of Lisieux
You will agree that mothers are mysterious creatures. They are perhaps the most difficult to understand and almost impossible to define. The essence of their existence is so unique that even after several months of birth an infant fails to consider its Mother a separate entity. During pregnancy, they share the same body, blood, nourishment, and even breathe the same air! A new-born enters a whole new world in absolute dependence on its mother.
By nature, the identity of a mother is relational. Mothers can hardly be studied if not for the relationship they share with their children. That is where their focus lies and that is exactly where they would want the world to focus on too. A mother always goes beyond herself to identify with her child and share, rather, sacrifice her life primarily for them.
If nature has endowed Mothers with selfless-beauty that cannot be grasped, how much more beautiful and extraordinary would Mary, the Mother of God be? How much more would she live her life in union with that of her Child? And how profoundly would she point beyond herself to the greater reality of Christ? Could Mother Mary ever refuse to lead us to Jesus, her loving Son?
THE BOMBAY SEMINARY: Come and See – The Parel Life
Life in the Parel Seminary began before cock-crow. At the stroke of the bell at 5:25 am, the Seminarians were to be on their knees, offering the day to God – ‘Hoc Signum, Surgamus et Offeramus’ they would say which can be translated as ‘This is the call of the great King!’
The Seminarians would then dress briskly and head to the Chapel to recite their morning prayers in common. This was followed by Meditation before the Blessed Sacrament. The Holy Eucharist was then celebrated after which Fr Rector would greet the brothers – ‘Dominus Vobiscum’ meaning ‘The Lord be with you’.

Morning Prayer was succeeded by a quick breakfast and some private study time. At around 9 am the seminarians would proceed to their respective classrooms for lectures. Classes were held from 9:10 am up until 12:40 pm. Likewise, the Parel Seminarian had to devote three hours of private study every day. Exams were conducted twice a year in oral and written format.
Pork Vindaloo
I have several recipes for this dish and several methods of making it. This one has a few ingredients like mustard and coriander which I have never used before. However it turned out very well
I made this dish on a Saturday night and left it out the whole night rather than refrigerate it. The vinegar preserves it from spoiling. I reheated it well in the morning and will heat is once again just before lunch. In my opinion, after reheating the pork in the morning and cooling it, it should then be refrigerated for another 24 hours before serving.
While the pork used was lean pork, I recommend you ask your butcher for a few additional pieces of bone which you cook with the gravy and then can discard. The flavour from the bone is incredible.
Also, for grinding the masala I use both water and vinegar. Some recipes use only water and then while cooking add vinegar. If you are using Goa vinegar please go easy, it’s bloody strong but there is no substitute for it. Having said that some recipes drop the vinegar entirely for tamarind pulp and some amount of Goa jaggery.






Fr. Warner D'Souza is a Catholic priest of the Archdiocese of Bombay. He has served in the parishes of St Michael's (Mahim), St Paul's (Dadar East), Our Lady of Mount Carmel, (Bandra), a ten year stint as priest-in-charge at St Jude Church (Malad East) and at present is the Parish Priest at St Stephen's Church (Cumballa Hill). He is also the Director of the Archdiocesan Heritage Museum and is the co-ordinator of the Committee for the Promotion and Preservation of the Artistic and Historic Patrimony of the Church.